Uma foto.
A bolsa
em cena.

Create a 12-second vertical 9:16 hyperrealistic luxury resale fashion campaign film. The uploaded photograph is the EXACT handbag product identity reference, not a location reference. Preserve this specific terracotta/coral-brown Chloé Marcie satchel: pebbled leather with natural wear and wrinkles, rounded trapezoid silhouette, two curved leather-wrapped top handles, antique gold horseshoe handle attachments, top zipper, broad rounded front flap with parallel U-shaped saddle stitching, tiny subtle embossed Chloé, central leather tab and ring, and ONE long thin matching leather shoulder strap attached to the two outer side rings. Same color, proportions, fittings and construction in every shot. This is a real pre-owned bag; retain its character rather than turning it into a new generic bag. No invented pocket, chain, clasp, extra straps, major logos or new hardware. Approximate believable medium handbag scale, not oversized.

CAST AND SET: one fictional Brazilian woman age 30–35, medium warm olive skin with visible natural pores, shoulder-length dark brown hair, understated makeup, effortless sophisticated style: ivory cotton shirt with relaxed sleeves, dark indigo straight-leg jeans, warm brown leather flats, tiny gold stud earrings. Ordinary confident natural expression. A beautiful intimate street-side café in a leafy Brazilian neighborhood with lime-plaster facade, dark walnut bentwood chair, pale stone table, open doorway and tree shadows. Warm mid-morning natural sunlight, photographic skin and leather texture, subtle film grain. Rich warm-neutral color with the terracotta bag as hero. Feels like a real fashion cinematographer filming on location, not CGI, not an AI showroom.

SEQUENCE with simple coherent physical action:
0–2.5s: intimate three-quarter FRONT product shot of the exact bag resting naturally on a bentwood chair beside the café table; no white display pole or plants from the source. Bag is fully visible with its long strap draped on the seat. Very gentle dolly toward the pebbled leather and warm metal details. Woman's hand enters and takes the long strap.
2.5–7s: a clean cut to a medium-wide side/front shot of the SAME woman and chair, with the bag front clearly visible. In one fluid believable action she lifts the bag by the long shoulder strap, places that strap on her near shoulder, releases it and stands comfortably. The bag hangs at hip height on the same side, not crossbody. Two short handles remain attached to the bag, ONE long strap bears the load and never changes length or attachment. Show natural hand contact, plausible weight and gentle leather flex. Keep bag fully in frame. No tangled arms, no hands through leather, no hand suddenly becoming a strap, no bag teleportation.
7–12s: a motivated cut to a medium tracking shot outside the same café, framing head to below the knees, from a three-quarter front-side angle on the bag side. She walks naturally along the sunlit pavement, the bag resting at her hip with a subtle restrained pendulum motion; front flap and hardware remain visible. Hair and shirt move softly. Camera travels smoothly alongside at walking speed, shallow but not excessive depth of field; last 1.5s ease into an elegant closer detail of the bag in motion with some outfit still visible.

The entire point: a real product photograph becomes a believable scene of use. Object identity takes priority over flashy edits. Never rotate to unseen rear construction. No surreal transitions, no morphing the handbag, no orbit, no still-image zoom pretending to be motion. No typography, watermarks, captions or added logos. Audio: soft real café ambience, restrained footsteps and subtle original light instrumental fashion-ad groove. Absolutely no speech, no singing, no intelligible voices.